Get all 15 Jim Jackson releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of This is not a Love Song, Dark Side (a Prairie Witch song), The Philosophy of Blue, Flypaper Motel (single version), The Loneliest Werewolf (Howling at the Halloween Moon), Captain Blue & Queen Bee: Book Soundtrack, When Words Collide (10th Anniversary Song), My Woman's a Goddess (I'm not being metaphorical), and 7 more.
1. |
Goegraphies
02:34
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geographies
we are people rooted in different geographies
you, northern plain
me, shore lapped by southern seas
your fathers did not know the ways of my fathers
did not have the same word for creator, for earth
we found each other in western filtered-sun forests
sat by one fire, ate from one pot
shared the bodies’ warmth under velvet skies
I did not understand your people’s word for freedom
you did not understand my people’s word for love
you are a wanderer, not a fixed star
me, a pool reflecting trembling birch under autumn moon
in eastern light, I crouch by river
offer song to wind, to spirit in stone
you sharpen your blade
dreaming of the hunt
gaze upon the open field
– your heart listening for beat of drum, signal to depart
your eyes go first
< I see their emptiness >
my mouth forms the words to grant you release
and I watch as you take your shadow out
into the night
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2. |
For My Children
02:52
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for my children
I do not want to remember, but it is wrong to forget
the exact shape of my grandfather’s fingers
he cupped my chin, called me ciù-ciù
my mother used a washcloth to wipe my father’s face
the exact shape of my grandfather’s fingers
your feet jammed tight in the space against my ribs
your tiny fingers holding onto mine
my grandmother’s soul, leaving her body
feet jammed tight in the space against my ribs
the softness of a baby’s skin
my grandmother’s soul leaving
years before we lowered her body to the ground
the softness of a baby’s skin
I cup your chin, call you ciù-ciù
years before, we lowered my grandmother’s body to the ground
I do not want to remember, but it is wrong to forget
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3. |
Above the Surface
03:23
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Above the Surface
Only five percent of slugs live above the surface, it is said
Though how they survive with no legs, no arms, no bones, no shell is a mystery to me. It seems they would be much safer in dark ground
Are they like the worm, whose entire body is an extended digestive tract – mouth to stomach to anus in one straight line? Their task simple: to eat, decompose, enrich. Create soil. They don’t need eyes
What is my task? Why so many complicated systems? Lungs, heart, veins, arteries, capillaries … that’s easy. We need oxygen to survive
But why legs? Why not trunk and roots like the limegreen-leaved honey locust tree which grows beside that amethyst jewel of a house against slate-grey summerstorm sky?
And why arms? Things keep slipping from me, slinking just out of reach. Why not branches on which the crossbill finch, russet, yellowgreen, and the iridescent blue-crested stellar jay could roost?
And why bones? So easily broken by sticks and stones and words. Words said. Unsaid. Would I not be better off without them? More able to curl into a ball or burrow into fecund earth?
And why not a shell into which to retract when danger is sensed?
As children, we would pull snails off the white-tiled walls of my godfather’s fish market, feeling the tug, hearing the shhhuck then touching each tentacle with a curious fingertip to watch the slow dance of retreat
Or to be a hermit crab, to find refuge in someone else’s carapace
or, like Eliot, a pair of ragged claws scuttling across the floors of silent seas
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4. |
Crescendo
01:44
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crescendo
dust rises from this gravel road, logging trucks
haul out today’s carcasses. in a land so rich, must we still
destroy to survive? I follow a curve and step
onto wooded path, palatial green
within steps, road vanishes. soundlessness. leaves
knit overhead; air cool and green
to my skin, to my lungs. I inhale
chlorophyll. observe moss on rotting log, living wood
cedars hatch atop ageless stumps, ferns
wave, regal, lush, as rustling
wind builds this elaborate symphony
of forest, crescendo
to the left, exposed bed of rock
where next spring’s creek will run
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5. |
Saturday Afternoon Jam
02:35
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Saturday afternoon jam
I wander over to market, afternoon drizzle
you said you’d fly out with me
even though this place is called Honeymoon Bay
almond brittle butter tarts
fresh turnips goat’s-milk soap
lily blooming pink in pond
that was before the break-up
tea-tree lotion to counteract fungus and bacteria
sun-catchers
earrings made from bits of coloured glass
Stevie Ray Vaughan on the loudspeaker
how many times did we dance to that tune
at Mikey’s Juke Joint, Saturday afternoon jam?
the only jam here is Cowichan plum
blackberry hand cream corked key-chains for boaters
flannel baby blankets with ruffled, hand-pulled seams
and a teeny tiny chapel
where you can’t buy a thing
She’s my sweet little thing …
… she’s my pride and joy
She’s my sweet little baby
and I’m her little lover boy
drizzle lightens sun comes out
this lady sells cards and eggs and
hand-knitted coffee-cup cozies in violets and blue
that lady makes garlic hummus and sells
lavender bags hot or cold, to soothe
in La Cantina Bandido, a row of potted tomatoes a battalion of drained tequila bottles
this is not Mikey’s, there are no brewskies
and you are definitely not here
but showers then warm sun
on a Saturn marketday
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6. |
This Town That
03:13
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This Town That
In this town, banana-seat bikes leaning up against loggers’ cabins –
shingle-siding painted sapphire, mustard, sage
moss grows thick on roofs
In that town, streamers, clackers
bikes with just one gear
kids waiting ‘til dusk to play hango-seek
hiding behind parked cars, in neighbour’s yards
scurrying around 100-year-old maple trees like squirrels
In this town, a fire station, a butcher shop where hunters bring fresh kill
a trailer-park down by the water nestled in a valley
ringed by peaks that remember indigenous names
In that town tucked in a city named for trees
standing in water
an Italian bakery, a greengrocer, a corner store
– candy three a penny, five a penny
In this town, a green Boler trailer under plastic wraps
tyres gone flat
indoor chairs ring an outdoor fire pit
a budding of beer cans on brown lawn
gypsy-inspired music from behind a ten-foot cedar hedge
In that town, a schoolyard
where we’d play Seven-Up against a brick wall
old tennis ball
badminton under a canopy of leaves
a verandah for listening to thunder
In this town, a felled lot
swallows swooping over corpses of lodgepole pine
the rumbling dust of logging trucks
a caravan of campers
travelling to somewhere just past
the next bend in the road
In that town, knowing which doorbell to ring
for trick or treat
the singsong voice of the lady next door
calling to her kids in Greek –
“Yanni, Elena, Elado!”
In this town, no fences
no bike helmets
a dog on the lap of a kid on a gyrating swing
If I were to wait ‘til dusk
would they come running out of these houses –
amethyst, mustard, royal blue
calling out Ollie Ollie Oxen Free?
this town, that
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7. |
Untamed
01:36
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untamed
for Jae
you inhabit the untamed spaces
outside the circle of this garden
past black-stemmed bamboo and cercis canadensis
whose heart-shaped leaves cache a windchime
which tinkles as I pass
you are summoned by unseen birdsong
just past creamy lilies dotted with dew
past purple clematis which like Icarus reach to touch the sun
past orderly fern, astilbe
potted thyme
beyond paving-stone path recessed in twilight lawn
you are bramble, exposed roots
dips and falls of newbrown earth
timbered scent of deepmade soil
you pull me out of comfort,
beyond clarity of morning
you wait and whisper to me from the wild spaces
outside the circle of this garden
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8. |
Nonet & Reverse
02:20
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nonet and reverse
you lay motionless on stone tile
legs still, yellow-green wings tucked close
unseeing eyes lightly shut
russet mate by your side
hopping left to right
tipping its head
chirruping
asking
life?
glass
a crash
no passage
reflected sky
blood flowed from your beak
stunned, you fell to stone tile
no one could explain to him
how immutable and final
would be these moments of fleeting life
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9. |
The Finches
02:40
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The Finches
Were you careless in your flight, oh yellow finch?
thinking weightlessness, propulsion just a game,
a sleight of wing?
Did you not see the glass, oh yellow finch?
Did you mistake the reflection for a projection,
a mirage – more branches, more sky,
more space through which to fly?
I did not hear the crash, did not see the fall
I came upon you, lifeless on stone tile –
legs pulled tight, wings tucked close, eyes
unseeing
a trail of blood from soundless beak
He stood beside you, your russet mate
hopping side to side
head tilting left to right, right to left
Had no-one taught him the finality of death?
We formed a wordless wake around your still lifelessness
– the gardener, with plastic bag in hand
eager to dispose of your remains,
a solemnity of ants encircling
Your passing so recent, flies did not attend
Your mate, head tilted, hopping left to right
right to left
Chirrup?
Silence
Chirrup??
Silence
Chirrup – then the slow
rush of his wings
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10. |
Missing: Woman
06:09
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missing: woman
I could step off this path
into the woods
use strands of silver from my hair
as passage into faerie world
inhale the richness of the earth
learn the call of birds
wash my feet in morning dew
and, as light deepens towards the mystery,
lay my body down in bowers of sweet moss
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11. |
Secrets
02:55
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secrets
what secrets have you to share with me –
waves licking rocky shore
midmorning light dazzling
wind lifting hair
what stories have you to tell me
in this language heard only by the soul
my breath matching the rhythm of these wavelets
breaking at my feet
clouds stretch out like time
like cotton batting
thinning then dispersing
hiding then revealing the old bones of this land
what song have you to sing to me –
lyrics lapping
wind caressing
sunlight softly stroking my cheek
like a lover, like a child
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12. |
Geographies (reprise)
01:19
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13. |
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Take Me There
I could step off this path, I could walk in the woods
Using threads of my hair as passage
I could breathe in the earth, breathe out the song of the birds
Unravel the strands of your message
I could deepen with light and fade into the night
Letting drop the veils of my vestige
Oh, won’t you take me there
Where the summer air
Is dancing in your hair
Oh, won’t you take me there
Take me down to where
I don’t need to care
I could cast them all off to the mud and the moss
I could burn to the bone the bother
I could leave them behind and flee for what I could find
Abandon my perfect other
I could dance with the dead to the songs in my head
I could find what they did to my father
Oh, won’t you take me there
Where the summer air
Is dancing in your hair
Oh, won’t you take me there
Take me down to where
I don’t need to care
I could bang at the breeze and bring the girls to their knees
I could let my cord uncoil
I could slice at my arms and mix by blood with alarm
I bring my body to boil
I could slip into sleep and watch the women all weep
As I’m taken again to soil
Oh, won’t you take me there
Where the summer air
Is dancing in your hair
Oh, won’t you take me there
Take me down to where
I don’t need to care
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14. |
Jim Jackson Calgary, Alberta
Jim Jackson is a Calgary Herald bestselling author, reluctant gentleman and dabbler in the dark arts of blues music. Jim’s
mission is to give – in these troubled times – intelligent escapism for modern readers and listeners.
Find out more at jacksontron.com
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